Audio Collection
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The New Digital Sound
The New Digital Sound
DARK ELECTRONIC SOUNDSCAPES. ELECTRONICA FOR THE NON-TRENDY.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
The Meaning | 2:41 | Play |
| 2 |
|
You | 2:43 | Play |
| 3 |
|
Devoid Of Emotion | 1:27 | Play |
| 4 |
|
Expressing of sorrow for a dead person | 3:05 | Play |
| 5 |
|
The Delicate, The Fragile | 3:24 | Play |
| 6 |
|
The Unfortunate Reflection of War | 2:45 | Play |
| 7 |
|
Calculation 20th | 2:47 | Play |
| 8 |
|
Gone and Nobody Knew | 2:29 | Play |
| 9 |
|
Pigment | 3:27 | Play |
| 10 |
|
Minimal | 5:23 | Play |
| 11 |
|
The First Time I ran | 1:23 | Play |
| 12 |
|
Unfinished | 3:25 | Play |
| 13 |
|
The Meaing (rmx) | 2:44 | Play |
Items may be purchased individually.
Contributors
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.53 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.01 |
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7 monetary digits.
Mouse over an individual amount to see its exact value.
Description
About 10 years ago, while playing guitar in punk/grunge influenced rock bands, Copelinn stumbled upon something-- a used Yamaha RX-7. His music then reflected his influences: Marilyn Manson, Atari Teenage Riot, NIN, Sonic Youth. It was lo-fi, imperfect and harsh.
"I'd plug in the RX-7 and just record to a cheap four-track. The sound quality was horrible but the songs were reflective of what I was listening to. The sheer level of distortion applied to a broken snare pattern was amazing in retrospect."
That was until he discovered artists like BT, Moby, William Orbit and Brian Eno-- things changed. His musical creation took on a deeper level.
Given the proliferation of the internet at that point, The New Digital was born. Instant street credibilty followed, as well as, airplay throughout the United States, Canada and Australia.
"Everything started out slow, like it would for any band or artist trying to move people. You really can't force people to listen I suppose, but then airplay started coming back and a slew of great reviews in print and online. My sites started getting slammed by people and everything just started to fall into place. I even remember getting an email from a huge radio station in Australia to ask my permission to play a track. Totally blew me away."
This year Copelinn is preparing to drop four new albums on an unsuspecting public.
Are you ready?