Audio Collection
Wonderland
Susan Barth
Melodically driven alternative pop/rock music, contemporary yet retro and easily singable with hints of Aimee Mann and Carol King.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Wonderland | 4:01 | Play |
| 2 |
|
Almost Did It | 3:56 | Play |
| 3 |
|
Matters | 4:19 | Play |
| 4 |
|
Over There | 3:08 | Play |
| 5 |
|
Grammys | 4:03 | Play |
| 6 |
|
Waking Up | 4:42 | Play |
| 7 |
|
So Tired Of You | 3:46 | Play |
| 8 |
|
After All | 3:38 | Play |
| 9 |
|
She's There | 3:39 | Play |
| 10 |
|
Losing My Way | 3:31 | Play |
| 11 |
|
It's Love | 3:03 | Play |
Items may be purchased individually.
Contributors
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.55 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.02 |
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Description
Although chiming guitars and eminently singable choruses make her music instantly accessible, beneath an iridescent pop sparkle lies a dense shadowland of emotion, intensity and truth. Her songs initially sound sweet and simple but the lyrics reveal a sadder introspective alternative.
"I've been a good girl, a bad girl and a sad girl," she says. "You get to meet all of them -- sometimes all in one song."
Her musical influences range from Carole King to Aimee Mann,
from The Beatles to Rickie Lee Jones and this compelling alternative pop lends itself admirably to dramatic applications. The hit WB series, Smallville, has utilized Susan's music to underscore on-screen action and she's recently inked licensing deals with a trio of powerhouse companies who keep Hollywood supplied with songs.
Her first two releases, THIS THING and ROMEO & THE BEAUTY QUEEN earned accolades from Billboard, merit awards from ASCAP, and airplay on Los Angeles radio, and her newest CD promises to extend her legacy of ever-evolving songcraft.
She plays occasional live shows at Los Angeles clubs like
The Gig, The Mint, Molly Malone's, Club Lingerie and Genghis Cohen, sometimes as a solo performer and sometimes with an eclectic mix of musicians drawn from a few close friends and some of L.A.'s finest session players. She prefers to leave her diva at the door, believing that a well-written song, not the artist, should be the star.
EMAIL: pinksoxsongs@aol.com WEBSITE: www.susanbarth.com