Audio Collection
Google Plex
astroid power-up!
Pure insanity. revolutionary electro-math featuring blistering live drums+video game fugues. "the best drum & bass ever created. It's like Squarepusher meets Conlon Nancarrow."
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Fireflower | 4:26 | Play |
| 2 |
|
The Revolt of 1042 | 7:56 | Play |
| 3 |
|
El Gordo | 5:20 | Play |
| 4 |
|
Giant Spiral | 4:01 | Play |
| 5 |
|
Into the Woods | 6:28 | Play |
| 6 |
|
Tightrope | 4:10 | Play |
| 7 |
|
Fevermaze | 7:16 | Play |
| 8 |
|
The Gnome | 4:39 | Play |
| 9 |
|
4 Am | 8:01 | Play |
Items may be purchased individually.
Contributors
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.62 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.10 |
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7 monetary digits.
Mouse over an individual amount to see its exact value.
Description
I, Scott Bruzenak, am an independent researcher for the S.E.T.I. program. That stands for the Search for Extra-Terrestrial Intelligence. I inspect the bleeps and blorps from outer space. Interesting, but boring work.
Boring, until one day in late september, 2002. I started to perceive a subtle pattern in all of the seemingly random information. It was not perceptable before, because I was focusing on linear patterns. When I focused my study on multiple patterns, aka 3*7=21=7*3, I started to notice crazy outbursts of order, recurring on a global one after several permutations. I wrote down nine of the patterns, which remained in my notebook for three months, awaiting further study.
Upon returning to the same sector of the sky months later, I could not believe my eyes! There was nothing in the sector under 1000 light years away! for there to be something broadcasting there, it would have to be pumping out a wattage incomprehensible to modern man. But there it was, pumping out those multiple pattern bursts, such as 4*5=20, 3*4*5=60, etc.
Now I was thrilled, and felt like I was on the verge of a major human breakthrough, the likes of which have not existed since the discovery of fire, or crawling from the oceans. Something like that.
I didn't know what I should do, so I called my friend and fellow researcher, Deantoni Parks, who also happens to be one of the best drummers in the world. He has done quite a bit of work on multiple time signatures, and is a virtuoso, so he could easily point out the shapes of the patterns in his improvisations, even at mind-boggling tempos of above 180 bpm. We decided that I should set up loops and have him play a few minutes for each pattern.
Next, I set up a small computer program to compose tones to match to the patterns, in a fugal matrix harkening back to JS Bach, Coltrane, Bartok, Nancarrow, Stockhausen, all the composers that I felt could have been communing with extra-terrestrials. I felt that music would be the best way to get this information out into the world, because I have no way of knowing what else this code is. I simply am not smart enough to break the code without breaking it up to hear different parts of the patterns.
Is it a language? Is it simply background radiation? Is it an error of the viewer, creating patterns at the limits of perception, where the senses fail? Am I seeing my own brain? Am I witnessing an advanced civilization? Am I insane?
All of these things have crossed my mind.
I called the album Google Plex, the great number one followed by a google zeros (a google is a one followed by a hundred zeros). It has crossed the universe, been filtered through this humble scientist, and found its way to your ears. I hope you enjoy it, and maybe help me crack the code.
thank you,
Scott Bruzenak, astroid power-up!