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the theories for lunar formation
Mons
The 2nd album, as much an essay in the joys of the Linn Drum as the first was in the joys of analog distortion, now available with a new remastered coat of paint.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Hyperion | 2:03 | Play |
| 2 |
|
Miranda | 5:33 | Play |
| 3 |
|
Proteus | 5:55 | Play |
| 4 |
|
Triton | 5:00 | Play |
| 5 |
|
Io | 7:17 | Play |
| 6 |
|
Europa | 4:36 | Play |
| 7 |
|
Charon | 4:22 | Play |
| 8 |
|
Phobos | 14:12 | Play |
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Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.88 |
| CD Baby Artist Royalty | USD $5.37 |
| CD Baby 9% Digital Distribution Cost | USD $0.49 |
| Bitmunk Download Service | USD $0.71 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $7.44 |
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Description
Mat created Mons as an outlet for his lifelong love of sound. In particular, the sounds of fuzz boxes, drums, drum machines, vintage synths as well as the cheapest Casios, theremins, vocoders and randomly captured conversations comprise but a few of the tools in his arsenal. Over the course of 3 albums, including Stimulus Frequency For The Localization of Sound in Space, to be released in 2004, a wide array of sounds, textures and tones have resulted from his chaotic yet pure approach. Mons continues to be exclusively a studio recording endeavor from inside the confines of his Washington, D.C.-based Olympus Mons Studios.