Spinning

Collection Contents

#		Title	Length
1		Silent Prayer	3:13	Play
2		Last Stand	4:06	Play
3		Cycles	5:39	Play
4		SuperCool	3:42	Play
5		Cold Tears	5:57	Play
6		Holy Water	4:21	Play
7		State of Grace	3:50	Play
8		Spinning	4:25	Play
9		Lethal	4:29	Play
10		Visual	4:24	Play
11		Deff Bendir	3:48	Play
12		Kali Ma	4:20	Play

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Description

Metal Shock Magazine (Italy)

TREASON "Spinning"
(Produced by Ted Stockwell & Ron St. Germain) 12 tracks
Ratings: Production 5.0 Technical 4.5 Conviction 4.5 Personality 5.0
5 Stars Overall

I have been anxiously awaiting the second CD of the American Band Treason. You might remember the flattering review I wrote on the first album a couple of years ago. And now the band, led by keyboard player Ted Stockwell, is appearing on the scene with their new CD entitled Spinning. With the first CD, we saw a band with infinite capability to write and execute excellent compositions. With the new CD, it is confirmed.

Spinning highlights even more of the superb abilities of these five musicians from Seattle. The music on this CD is even more incredible than in the past. Omnipresent and majestical keyboards, sharp and rockin' guitars, and a powerful rhythm section, precise as a Swiss watch, are the basic ingredients of the Treason sound. To these elements are added vibrant and powerful vocals. Which brings me to this point - much of the success of this CD is due to the joining of the new and extraordinary vocalist Jason Saunders. With his rich tone, power and range - his voice is incredible. It is warm and gritty and, in my opinion, is the rock voice of the new millennium.

The twelve songs on this CD are a delicacy for the ears. The mix and sound have been well attended to. The production is equal to that of any major, which adds to the success of this work. To appreciate this CD, it would be enough just to hear the second track, "Last Stand." After a rich and powerful intro, it explodes into a breathtaking refrain that will get stuck in your head. The magnificent "Cycles," which reminds us of Queensryche from the Empire era, with a mysterious atmosphere, would be fitting for radio airplay. The musical lines in "State of Grace" will carry you away with a simple and effective chorus, which makes you realize the great value of this album.

As with their last album, Treason has hosted many well-known musicians. This album is no exception with the dreamy and nocturnal ballad "Cold Tears," where the mythical voice of Ann Wilson from Heart appears in the 'duet of the year' that will put you into a dreamy trance.

As I have said, the new CD is on an elevated level of quality. Don't hesitate to make Spinning yours, because in my opinion, it has already entered into the top ten list of the year 2003.

For contact, visit their web site at www.treason.net.
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In a world straight jacketed by scripted passion and corporate identity - sometimes you just want to put push it all away and commit Treason . Treason claims its five members from the spans of North America including Toronto, Canada, Seattle, Washington and San Jose California. Their debut Waterstreet offering, Spinning, has been embraced by the worldwide press as delivering "the rock voice of the millennium" - Italy's Metal Shock magazine, "pumping, gut wrenching guitars" - USA's Electric Basement, "keyboards nothing short of a mindblower" - Portland Music Network, and a "rhythm section as precise as a swiss watch" - Metal Shock magazine. Treason lays claim to the heart and the imagination of its fans. In the words of Sonic Foundry e-zine, Treason has "serious talent, serious potential", or more succinctly as Germany's Rock Reunion says "Long Live Treason!"

The band's key members were wow-ing the local club circuit in 1996 as keyboardist Ted Stockwell and bassist Jim Dixon joined forces with guitarist Karl Haug and drummer Pete Stern. In 1999, the band started collaborating with Sue Ennis (songwriter, Heart), with Ennis eventually taking on more and more of the lyric writing. With the addition of vocalist Jason Saunders behind the microphone, the band's evolution was complete. Explains Saunders, "the group had this amazing collection of songs and the vibe was magic. I'm telling you, it was a dream situation."

Treason's previous self titled album, which featured Alan White and Billy Sherwood of Yes, caught the attention of Waterstreet, a new media company in search of serious talent. Waterstreet got Treason into the studio immediately, arranging for the bands chief songwriter/keyboardist Ted Stockwell to produce, Zack Reinig (Foo Fighters, Alice in Chains) to engineer and celebrated producer/mix man Ron Saint Germain (Creed, Soundgarden, 311, Living Color, Tool, U2, Red Hot Chili Peppers, etc) to mix. "It was incredible to have this wealth of experience, imagination and enthusiasm at our disposal. The situation couldn't have been better," said Stockwell. Adds Stern "Making Spinning was an amazing experience. You can hear it in the songs; you can feel it in this album. It always gives me shivers when I hear it."

The band made the studio their palette, painting very vivid images with a driving and powerful collection of songs. Spinning pushes the aggressive envelope in pieces like Kali Ma, SuperCool and Silent Prayer, the band's first single. "We definitely like hard and edgy, but it's the melody and the lyrics that make the songs appeal to a wide audience", says Dixon. "You don't hear great melodies much in music today."

For songs like Spinning, Cycles and Cold Tears, which features Ann Wilson of Heart singing with Saunders, Treason wears emotion on its sleeve. "Ann Wilson brought this real heart-stopping quality to Cold Tears - she made it soar - she made it cry" , says guitarist Haug.

On State of Grace, Holy Water and Last Stand, the band used gritty, chunky keyboards, huge, in-your-face guitars, a rocking rhythm section reinforced with pop savvy choruses. Co-writer Sue Ennis, whose work with Heart is still a staple of rock radio, chimes in: "Collaborating is a tricky thing. You're always hoping to find that oh-so-rare magical chemistry. Working with this fantastic band was an absolute match for me. By the end of our songwriting time together, we were finishing each other's musical sentences. When we sat down listened to the mix, we all said "whoa, where did that come from?""

"For me, if a song can stand up to the scrutiny of the recording process, and still sound fresh and get me excited, I know it's good", says Ted Stockwell, "a lot of music doesn't keep my attention even though it's in heavy rotation and in my face - it's one dimensional. I think we've created something that radio can sink its teeth into, an album that's real and touches the fans; and isn't that what this is all about?"