Audio Collection
Who's Been Here Since I've Been Gone
Dyad
who's been here since I've been gone,' contains 14 lovingly crafted tracks; Appalachian mountain ballads and instrumentals as much as 150 years old, passed on from one generation to the next.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Farewell To Old Bedford | 1:46 | Play |
| 2 |
|
Red Rocking Chair | 3:22 | Play |
| 3 |
|
Getting George Bush Upstairs | 2:13 | Play |
| 4 |
|
Early Early In The Spring | 3:51 | Play |
| 5 |
|
Roustabout | 3:53 | Play |
| 6 |
|
Soldier's Horse | 3:32 | Play |
| 7 |
|
Chinquapin Pie | 1:53 | Play |
| 8 |
|
Hiram Hubbard | 4:20 | Play |
| 9 |
|
Omie Wise | 4:26 | Play |
| 10 |
|
I Went To See My Molly | 2:08 | Play |
| 11 |
|
Hell and Scissors | 2:22 | Play |
| 12 |
|
O Molly Dear | 4:31 | Play |
| 13 |
|
Little Maggie | 3:24 | Play |
| 14 |
|
Blackbird | 1:39 | Play |
Items may be purchased individually.
Contributors
Details
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.58 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.06 |
Bitmunk uses a micropayment system that is accurate to
7 monetary digits.
Mouse over an individual amount to see its exact value.
Description
Mitch Podoluk, Winnipeg Folk Festival
"Very rarely has a recording of traditional music been as respectful to the art, and [it's] creators, as this."
"who's been here since I've been gone,' contains 14 lovingly crafted tracks; songs as much as 150 years old, passed on from one generation to the next. From the instrumental fury of "Hell and Scissors," to the hair-raising acapella "Blackbird," their wicked tunes and sweet lullabys highlight their astounding voices and impeccable musicianship.
Dyad is a young, Vancouver-based trio whose fresh take on Appalachian mountain ballads and instrumentals draws on such diverse influences as trip-hop, Scandinavian, blues, and classical music. Stephani Custer, Shiho Mizumoto, and Kori Neil Miyanishi create alternately lush and sparse atmospheres for their haunting vocal harmony using fiddles, low fiddle, banjo, and guitar. Through tales of murderous lovers, rabble-rousing rogues and tragic ends, they have been entrancing audiences on the West Coast for two years, all the while gaining a reputation, and much respect, from the folk music community for their faithful devotion to the art of tradition.