Audio Collection
Soliloquy
Simeon Flick
Imagine Botticelli's Venus De Milo coyly, wryly pushing the red button...or stealing the box from Pandora...it's a cake with a file inside...
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Soliloquy | 1:41 | Play |
| 2 |
|
Trey Downs | 3:47 | Play |
| 3 |
|
Book In The Wind | 5:40 | Play |
| 4 |
|
Nadir | 5:23 | Play |
| 5 |
|
Voyeur | 3:00 | Play |
| 6 |
|
I Went Away | 4:12 | Play |
| 7 |
|
No Ordinary Days | 4:22 | Play |
| 8 |
|
Fallaparte | 2:40 | Play |
Items may be purchased individually.
Contributors
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.78 |
| CD Baby Artist Royalty | USD $4.78 |
| CD Baby 9% Digital Distribution Cost | USD $0.43 |
| Bitmunk Download Service | USD $0.40 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $6.38 |
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Description
Simeon Flick steps forth with an eight-song collection of exceptionally smart, well executed, and infectiously catchy pop tunes. The first thing he mentions in his credits is, "Soliloquy was spontaneously recorded with forgiving minimalism..." Well put.
But wow!
For a guy who became a singer-songwriter at a time in history when the planet is saturated with a gazillion singer-songwriters, Simeon Flick is one of the few with such distinction, it makes him one of the few flowers worth picking, by natural law, in the vast garden-meadows of music talent.
I remeber introducing myself to Jason Mraz for the first time. He was still unknown at the time and starving like everybody else. I just shook his hand, introduced myself, and told him I've been trying to do what he does for about 20 years, and that he had "it." He looked at me funny when I told him, "You should be outta here by now. It shouldn't be long before the world knows you're big time."
The music is different and not written for the attention of little girls. But I have the same thing to say to Flick: "Dude, you're outta here."
"Trey Downs," the second track, took about five seconds for me to love it. It's a perfect hit.
The whole CD is brilliant; however I don't have enough space to go on about each tune. Every single track is remarkable in its originality, range of material (it kicks Jason's ass in this department), chops, maturity in arrangement and production, and most important: serious mojo.
Frederick Leonard, San Diego Troubadour, June Issue, 2004