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Divine Waltz
Greg Boardman
New music in the Maine/Maritime fiddle music tradition, acoustically delivered with a chamber-rock edge.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Jerusalem Breakdown | 2:48 | Play |
| 2 |
|
Cracked Pot | 5:02 | Play |
| 3 |
|
Pursuit of Clarity | 5:09 | Play |
| 4 |
|
L'Acadienne | 3:12 | Play |
| 5 |
|
Suffer the Child | 4:47 | Play |
| 6 |
|
First Day of School | 3:42 | Play |
| 7 |
|
Warsaw Mazurka | 3:39 | Play |
| 8 |
|
Journey's End | 6:20 | Play |
| 9 |
|
Charming Young Fiddler | 4:47 | Play |
| 10 |
|
Barefoot Banjo Boy | 6:02 | Play |
| 11 |
|
Carter's Clogs | 3:06 | Play |
| 12 |
|
Godspeed My Love | 3:03 | Play |
| 13 |
|
Back From the Brink | 3:04 | Play |
| 14 |
|
Divine Waltz | 5:09 | Play |
Items may be purchased individually.
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| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.81 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.28 |
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Description
Greg Boardman is a fiddler from Maine whose music reflects the Scots-Irish and French Canadian elements of the local traditional country music he has absorbed over the years, plus the rock and classical chamber music he can't help loving. Once convinced by the playing of Fairport convention's Dave Swarbrick to lay aside his electric guitar for the fiddle, he delved into the Maine traditional fiddling scene, drawing particular strength from the personalities and music of Simon St. Pierre, Otto Soper, Leo Murphy and Ben Guillemette. His first solo CD, Century Reel, pays particular tribute to these influences, containing many traditional fiddle tunes, as well as some recent tunes by friends, including Smokey McKeen and Dudley Laufman.
On Divine Waltz Boardman explores many of these and more influences in his own compositions, written between 1998 and 2003. From solo fiddle pieces to a seven piece band many instrumental textures and styles are presented, from the very Irish sound of First Day of School and Back From the Brink, to the Cajun waltz L'Acadienne, to the slavic touches of Jerusalem Breakdown and Warsaw Mazurka, to the decidedly American country touch of the title cut.
Praise for Century Reel:
"The fiddling is first-rate, as is the accompaniment." Fiddler Magazine
"Boardman makes good use of his lilting, driving bow work, putting lift into every tune."
Dirty Linen