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Strange Attractors
Catherine Marie Charlton
using fusions of jazz, classical, and new age piano, these improvisations paint colorful musical pictures ranging from frenetic musings to sweeping emotional tides--includes many pieces inspired by mathematics
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
The Moods of Mocha: Chocolate Steam | 3:02 | Play |
| 2 |
|
The Moods of Mocha: outta sight, daddy-o | 2:59 | Play |
| 3 |
|
The Moods of Mocha: The Invisible Mockingbird | 3:12 | Play |
| 4 |
|
The Moods of Mocha: one cup too many... | 2:24 | Play |
| 5 |
|
The Dreams of Sarah | 2:40 | Play |
| 6 |
|
Instability in the Phase Plane: Part One: Transient Seams | 3:30 | Play |
| 7 |
|
Instability in the Phase Plane: Part Two: The Asymptote | 5:10 | Play |
| 8 |
|
Instability in the Phase Plane: Part Three: Strange Attractors | 2:30 | Play |
| 9 |
|
die Sonne scheint, die Voegel singen | 3:03 | Play |
| 10 |
|
A Celestial Story: Gallic Moon | 4:02 | Play |
| 11 |
|
A Celestial Story: Latin Sun | 5:45 | Play |
| 12 |
|
Fuzzy Boundaries | 6:52 | Play |
| 13 |
|
Sholoshea | 1:05 | Play |
| 14 |
|
Thanatopsis | 4:11 | Play |
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| Bitmunk Marketplace Service | USD $0.98 |
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Description
Most of the tracks on "Strange Attractors" were recorded live in concert and paint a surprisingly wide range of pictures, from the frenetic over-caffeinated musings of 'one cup too many' to the sweeping emotional tide of 'The Asymptote'.
The evident influences upon these piano improvisations are varied, ranging from George Winston's elegant manipulation of tonal relationships to Claude Debussy's impressionistic, aural snapshots.
Also apparent are traces of German composer Karlheinz Stockhausen's compositional techniques based on geometric structures and his fascination with "open forms" derived not from a melodic phrase, but from a particular mood.