Audio Collection
Dark Lit
Mínus
Re-inventing the power trio. Guitar-based improvisations that span metal, jazz, dub, funk and the avant-garde. "This is music all-consuming in its beauty and power" - Jake TenPas, The Daily Barometer
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Melvohol | 6:20 | Play |
| 2 |
|
3 Bad Brothers | 2:23 | Play |
| 3 |
|
Acidflesh | 6:17 | Play |
| 4 |
|
Piss Ankle Brothers | 3:16 | Play |
| 5 |
|
Tard Bop | 4:53 | Play |
| 6 |
|
Stoner | 7:24 | Play |
| 7 |
|
Leggy Clip | 0:25 | Play |
| 8 |
|
Dark Lit | 9:02 | Play |
| 9 |
|
Pander | 1:48 | Play |
| 10 |
|
Blum Blum Shub | 9:10 | Play |
| 11 |
|
Shamanic Depression | 4:22 | Play |
| 12 |
|
Baby Steps | 3:01 | Play |
| 13 |
|
Senay | 6:12 | Play |
| 14 |
|
Blood | 5:43 | Play |
| 15 |
|
3 Bad Brothers (Slight Return) | 1:50 | Play |
Items may be purchased individually.
Contributors
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.97 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.45 |
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7 monetary digits.
Mouse over an individual amount to see its exact value.
Description
Minus:
Mark France: guitars, vocals, electric piano, synth, octave bass, tapes, bodyslaps
Dave Trenkel: bass, electronics, modular synth, electric piano, organ, loops
Henry Franzoni: drums
+
DJ Scratch 'n Sniff: turntables on acidflesh & tard bop
Dave Storrs: percussion on blum blum shub & blood
Tucker Martine: tapespeed on blood
from "Who says guitar rock is dead," by Jake TenPas, OSU Daily Barometer, 5/18/01:
"On their long-awaited new album, Dark Lit, local power trio Minus does much to negate the assertion that the classic rock of the '60s, '70s and '80s left the guitar without further avenues of exploration."
"Mark France coaxes tones both subtle and overt out of his customized Frankenstein of a guitar. He demonstrates in the process how much of the rock canon has been excluded over the years by rejecting the influences that progressive rock, fusion and the avant-garde sought to incorporate"
"This is music all-consuming in its beauty and power, and not to be missed either as studio product or live shenanigens."