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To Sweeten Up
Sarah Glynn
A truly original songsmith with a knack for quirky arrangements and catchy melodies (think Liz Phair x Dweezil Zappa), Glynn's new collection of indie pop songs spans any popular trends, past or present.
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Don't Say No | 3:54 | Play |
| 2 |
|
You Always You Never | 3:26 | Play |
| 3 |
|
One Day Older | 4:30 | Play |
| 4 |
|
Should I Could I | 3:32 | Play |
| 5 |
|
To Sweeten Up | 4:30 | Play |
| 6 |
|
Money Retail Millionaires | 4:16 | Play |
| 7 |
|
My Best Friend | 4:28 | Play |
| 8 |
|
Full Badge Bar | 2:45 | Play |
| 9 |
|
Young Emergency | 3:56 | Play |
| 10 |
|
Riddle To Stay | 2:48 | Play |
| 11 |
|
Us Girls | 2:47 | Play |
| 12 |
|
Cromwell | 2:59 | Play |
| 43:51 | ||||
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Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.61 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.09 |
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Description
"'To Sweeten Up' is one of the most original and magnetic albums I've heard from a female solo artist in years. Her music is as unconventional as that of Suzanne Vega but has the pop sensibilities of U2 or The Police, which makes for quite a compelling combination. Listen to songs like 'Money Retail Millionaires' or 'One Day Older' and take notice of their clever lyrics, catchy choruses and adroit musicianship. Glynn is both a critic's worst nightmare and savior. Someone sign this girl..." Evan James, American Songwriter
"Her sound is so wonderfully peculiar... a pop-rock omnibus with unconventional undertones" Mercer Black, 512Magazine
"'To Sweeten Up' appeals to the finicky listener who orders her pop with a side of intellect." Feedback Magazine
"It's like U2 meets Dido." Broadjam reviewer
"The 24-year old exhibits such songwriting moxie and confident command of her multi-instrumental talent that her band could be The Next Big Thing, or at least the Next Big Thing After That. . . .The song is so catchy, the performance so accomplished, I do a 'take,' eyes bulging and jaw dropping to chest." Rich Malley, Austin American Statesman