Audio Collection
Lovefeast
Lacy James
Similar to Kate Bush, Sinead O'Connor or Loreena McKennit. Delicate and ethereal, with a molten core and a clear, strong delivery
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Lovefeast | 4:25 | Play |
| 2 |
|
Moon of Fire | 3:40 | Play |
| 3 |
|
Silverback | 4:22 | Play |
| 4 |
|
White Lion | 2:59 | Play |
| 5 |
|
Foolish Heart/The Antler Crown | 4:08 | Play |
| 6 |
|
Badful Badful (The Stolen Child) | 3:37 | Play |
| 7 |
|
Vengeance Is Mine | 4:09 | Play |
| 8 |
|
Song of Songs | 6:02 | Play |
| 9 |
|
In the Garden | 3:51 | Play |
| 10 |
|
O Master | 4:25 | Play |
| 41:38 | ||||
Items may be purchased individually.
Extra Details
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.57 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.04 |
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7 monetary digits.
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Description
Lacy writes her own lyrics, melodies, keyboard, and drum patterns, often working with traditional or ethnic sources suggestive of Asian, African and Celtic ideas, resulting in a singular style often inspired by the natural world.
"James' strength is drawn from her deft ability to create an inspired mood through her use of exotic rhythms and instruments." - (CMJ Certain Damage)
"It has that Kate Bush/Tori Amos feel with an exotic Middle Eastern twist... the disc is a sumptuous affair." - (Philadelphia City Paper)
"A host of multicultural influences come into play, similar in nature but not necessarily in style to singers like Ofra Haza, Sinead O'Connor and Enya. James' style is delicate and ethereal, with a molten core and a clear, strong delivery." - (Big Shout)
"...enough successes to make this very well-recorded disc worthy of a serious listen by those with open musical minds. When it's at its best, this disc takes some adventurous chances that rival the work of anyone working in these occasionally treacherous musical areas." - (Philadelphia City Paper)