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The Bozwell Incident
Bozwell
Stick-in-yur-head melodic rock laced with wit, sarcasm and very tasty guitar licks.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Graduation Day | 3:52 | Play |
| 2 |
|
Mountain Man | 3:43 | Play |
| 3 |
|
Wheels No. 1 | 4:14 | Play |
| 4 |
|
Your Money or Your Life | 3:28 | Play |
| 5 |
|
Turpentine Joe | 3:02 | Play |
| 6 |
|
Be There | 4:24 | Play |
| 7 |
|
The Tuning Song | 4:25 | Play |
| 8 |
|
My Perspective | 3:58 | Play |
| 9 |
|
Harry Can I Borrow Your Gun? | 3:57 | Play |
| 10 |
|
Zombie Peepo | 2:43 | Play |
| 11 |
|
Don't Wake Me | 4:27 | Play |
| 12 |
|
All Is Fine (In the World) | 3:58 | Play |
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Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.63 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.11 |
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Description
"The Bozwell Incident", the second CD released by Bozwell, provides 12 more quirky little gems. "Graduation Day", a snide look at school, opens the CD with an uplifting reggae groove that balances the sarcastic lyric. “Mountain Man” is to many the crme-de-la-crme of Bozwell’s work to date, fusing bluegrass to prog rock in hither-to unimaginable and adventurous ways. “Wheels No. 1” is a lush techno ballad. “Your Money or Your Life”, with its funky New Orleans groove, has a chorus that will stick in your head to the grave. “Turpentine Joe” is pure delight, a McCartneyesque look at the hobo lifestyle, inspired by “The Autobiography of a Supertramp” by W.H. Davies (the same book that inspired the name of the famous pop group), as is “The Tuning Song” a bluegrass instrumental that shows off Bozwell’s finger picking mastery. “My Perspective” and “Be There” use hip-hop and R&B grooves to deliver their introspective lyrics (think Marvin Gaye meets Jethro Tull). “Harry Can I Borrow Your Gun?”, a stark arrangement with acoustic guitars, well sung by guest Grant Boyko, is dark and intriguing. “Zombie Peepo” does for the wah-wah what Frampton’s “Do You Feel Like We Do? “ did for the talk box. “Don’t Wake Me” is shimmering and ethereal, deep with layers of e-bowed guitars. Finally, “All Is Fine (In the World)”, a bittersweet country-rock ballad, leaves you with a grin and feeling just that.