Audio Collection
Watertown
The Invisible Cities
The Invisible Cities is a San Francisco-based band that make incandescent rough-around-the-edges sometimes-quiet sometimes loud rocknroll pop music with wiry guitars and boy/girl harmonies. Watertown is their first full-length record.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Synaptic Gap | 2:13 | Play |
| 2 |
|
Instaglo | 2:30 | Play |
| 3 |
|
Birthday | 3:35 | Play |
| 4 |
|
Double Fisted | 1:36 | Play |
| 5 |
|
Shooting Star | 2:35 | Play |
| 6 |
|
Everything You Started With | 3:30 | Play |
| 7 |
|
Oh Yeah | 2:08 | Play |
| 8 |
|
Bumper Cars | 4:40 | Play |
| 9 |
|
Watertown | 3:35 | Play |
| 10 |
|
Take My Picture | 4:05 | Play |
| 11 |
|
Lost In Translation | 2:37 | Play |
| 12 |
|
Tentacle | 3:16 | Play |
Items may be purchased individually.
Contributors
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.49 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $7.97 |
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Description
The Invisible Cities is a San Francisco-based band that makes incandescent rough-around-the-edges sometimes-quiet sometimes loud rocknroll pop music with wiry guitars and boy/girl harmonies. Watertown is their first full-length record, born of late-night, half-remembered reflections about half-remembered places.
The band formed through the meetings of strangers and family. Han found Sadie with her craigslist ad that he says poorly described her musical sensibilities (see? strangers and yet family so soon!). And when Tim was looking for a chance to rock out a little in the midst of his jazz activities, he in turn answered their ad. Han's brother Gary heard what they were up to and started playing shows with them when he was in town, on vacation from his regular life as upright bass player in NYC. They have been playing in various configurations in the Bay Area for the last couple of years, including performances at APAture and piNoisePop 8 in 2003 and APAture in 2004. They feel lucky to have had help from Matt Yelton (Pixies, Frank Black) when they started recording the album, and from Jon Evans (Tori Amos) for mixing it.
Sometimes they think about the album like this: landing softly in a new town, things that make you sad but are so beautiful you bring them out again anyway, the part where you kick the trashcan just because you remembered something that pissed you off, the moonlit night where you were far from the city and the stars and the orange and the snow swirled together, the relentless highway drive that you don't remember because you were listening to the radio really loud.