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Look What's Left
Wampeters
It sounded out of step in the grunge-laden wilds of 1994, but now sounds like the beginning of something else entirely.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Caricature | 4:54 | Play |
| 2 |
|
Boy in the Moon | 3:20 | Play |
| 3 |
|
Disappear | 2:44 | Play |
| 4 |
|
Weeping Willow | 3:57 | Play |
| 5 |
|
Rope and Knot | 5:07 | Play |
| 6 |
|
Circles | 2:09 | Play |
| 7 |
|
A Safe Place | 4:34 | Play |
| 8 |
|
Days of Beer and Daisies | 3:12 | Play |
| 9 |
|
Bloom | 3:25 | Play |
| 10 |
|
Everybody's Here | 0:43 | Play |
| 11 |
|
One (Fine) Day | 5:44 | Play |
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Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.55 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.03 |
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Description
A potent capsule of anti-nostalgia, Look What's Left glorified '60s melodicism at the height of grunge. It recalled the soul-inflected pathos of the Byrds at the zenith of a renaissance in neo-garage rock.
Strange timing.
Hear "Weeping Willow," "Rope and Knot," and "Days of Beer and Daisies," and wonder why it's for the first time.
*****
Check out Mark Doyon's current project, Arms of Kismet, at armsofkismet.com.