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The Last Second Chance
Drew James
Drew's original music is an eclectic mix of Americana, blues, rock and folk. He adopts each of these styles as his own using a highly melodic, traditional songwriting style. His main influences are Tom Waits, Steve Earle, R.L Burnside, Lucinda Williams.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Rise and Shine | 2:44 | Play |
| 2 |
|
All Over that Girl (with Lynn Asher) | 4:52 | Play |
| 3 |
|
Its Always Summer Somewhere (with Noe Venable) | 5:10 | Play |
| 4 |
|
Inside Out | 3:36 | Play |
| 5 |
|
Ahead on the Highway | 2:41 | Play |
| 6 |
|
Good Morning Girl | 4:09 | Play |
| 7 |
|
Prison with No Bars | 3:42 | Play |
| 8 |
|
Cry, Cry, Cry | 2:27 | Play |
| 9 |
|
Ship in a Bottle | 4:25 | Play |
| 10 |
|
I Went to See Maria | 3:58 | Play |
| 11 |
|
Thank You Brother | 3:46 | Play |
| 12 |
|
Mama Mia | 2:54 | Play |
| 13 |
|
That Old Friday Night Feeling (with Dallis Craft) | 4:58 | Play |
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| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.68 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.16 |
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Description
Drew James, a San Francisco native, grew up playing guitar influenced by several 1960s and 1970's rock, blues and folk artists. He began writing and singing his own songs in 1996.
Drews songs have received airplay in the U.S. and Europe.
In 2006 Drew released his second studio CD "The Last Second Chance" with bay area producer Bruce Kaphan. Bruce has worked with a number of musical acts including Chris Isaak, David Byrne, The Black Crowes and REM. Drew recorded this CD at Fantasy Studios in Berkely backed by some truly outstanding musicians.
Drew's first CD was a solo recording "As Far As I Know" featuring 14 of Drews original song. Hes also appeared on "United State of Americana" compilation CD on the Shuteye Records label. That CD made it to #53 on the Americana Music Association charts in 2005.
"As Far As I Know subscribes to traditional roots songwriting, but bends the rules slightly by subverting traditional sounds with intimate singer/songwriter blues tones" Ryan Hoffer, Shuteye Records A&R