Audio Collection
the forever waltz
christopher north
Sound design, music and song by christopher north renquist for the glyn maxwell play, directed by elysa marden, presented in New York, London and Edinburgh. (eerie, trancelike, hummable)
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
waves, phone loop 1 | 0:24 | Play |
| 2 |
|
watts' musings | 3:12 | Play |
| 3 |
|
striptease fantasy | 3:28 | Play |
| 4 |
|
phone loop 2 | 0:40 | Play |
| 5 |
|
hum 1 | 0:49 | Play |
| 6 |
|
feather lake song | 2:30 | Play |
| 7 |
|
phone loop 3 | 0:43 | Play |
| 8 |
|
hum 2 | 0:48 | Play |
| 9 |
|
wedding song | 2:23 | Play |
| 10 |
|
feather lake song (garage band version) | 2:17 | Play |
| 11 |
|
murder | 1:27 | Play |
| 12 |
|
waves, phone loop 4 | 1:17 | Play |
| 13 |
|
feather lake song (busker version) | 2:03 | Play |
| 14 |
|
evie's coda | 0:55 | Play |
| 15 |
|
water/guitars/fire ambience (caves preshow) | 8:27 | Play |
| 16 |
|
feather lake song (alt. mix 1) | 2:33 | Play |
| 17 |
|
feather lake song (alt. mix 2) | 1:51 | Play |
| 18 |
|
feather lake song (acoustic guitars only) | 1:56 | Play |
| 19 |
|
striptease (take 2) | 4:24 | Play |
| 20 |
|
loop source piece A | 3:00 | Play |
Items may be purchased individually.
Contributors
Details
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.55 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.03 |
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Description
A large part of why The Forever Waltz succeeds so impeccably is because it maintains a constant state of trance-like suspense.The sound design, courtesy of Christopher North Renquist, immediately jolts the production into an eerie existence, and his original song "The Feather Lake Song" (with Glyn Maxwell's lyrics and vocals by Hilary Mosher) is as hummable as any contemporary adult rock hit.
Theatre Review by Lindsey Wilson
http://www.talkinbroadway.com/ob/03_12a_05.html