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Street Gumbo
Max Supreme
Hip Hop: Street Core.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
When I Come Thru | 3:11 | Play |
| 2 |
|
Make'em Famous | 3:54 | Play |
| 3 |
|
Frozen (Part 1) | 4:05 | Play |
| 4 |
|
I Need It All | 4:02 | Play |
| 5 |
|
Get Down (Featuring NASCAR of the Automattixx) | 4:02 | Play |
| 6 |
|
I Know | 3:54 | Play |
| 7 |
|
T.H.U.G.S. (The Heart Under Ghetto Shit) | 3:34 | Play |
| 8 |
|
All I See | 4:33 | Play |
| 9 |
|
Ms. Lady | 3:54 | Play |
| 10 |
|
Nothing But | 3:54 | Play |
| 11 |
|
My Life (a dedication to my Grandfather) | 5:35 | Play |
| 12 |
|
Got Dat Murder | 4:08 | Play |
| 13 |
|
Built To Last | 3:57 | Play |
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Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.76 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $8.23 |
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Description
The artist that can hit all angles, Hip Hops Lethal Weapon and Golden Tehk, are all aliases of Omaha emcee Max Supreme. J.Stephens Musics first artist might attribute his many names to his extensive experience and evolution in the Hip Hop genre. Born Ozzie Johnson in Omaha, he began performing in 1994 with several combinations of local artists at venues like University of Nebraskas Student Union in Lincoln and Fines Tier 3 in Omaha.
Supreme continued to work with a mix of local talent, including Crossphade Entertainment and began his recording career with two tracks on Crossphades Behind Enemy Lines in 1997. He has appeared on a series of compilations since then, including Crossphades formidable 1998 record 681, which garnered national attention. He is set to release his first truly solo album, Street Gumbo. His performance history is also grown to include numerous venues in the Midwest, including many college campuses and clubs in Missouri, Iowa and Nebraska.
Influences on Max Supreme include local MCs like Jay Money and legendary street lyricists like Biggie, and Tupac. But Supremes style is not truly derivative of any artist. Hes not interested in being the Next Jay Z or the next Nelly, but rather, the first Max Supreme.