Custom of the Sea

Collection Contents

#		Title	Length
1		Railway	2:27	Play
2		Lay Me Down	3:38	Play
3		The Angel's Share	2:45	Play
4		The Tyburn Jig	2:48	Play
5		Baptized By Fire	3:36	Play
6		Django	3:53	Play
7		Buccaneers (of Elliott Bay)	4:26	Play
8		Graveyard Blues	3:50	Play
9		Salty Dog Blues	2:33	Play
10		Heave Away	5:29	Play
11		Jolly Roger	3:10	Play
12		Dia De Los Muertos	4:43	Play
13		Drinkin' Days	3:18	Play
14		Saturday Saints	3:06	Play

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Description

The Wages of Sin play traditional music for non-traditionalists. They mix Celtic with country with Appalachian with rockabilly with Tex-Mex with bluegrass, and follow the whole mess with a bracing shot of punk rock. Alternately rowdy and mournful, they're sure to get your feet tapping, your heart palpitating, and your liver crying for mercy. Repent, ye sinners, and be saved!

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Irish Post, January 21 2006
Debut album of the year came from the Wages of Sin with the brilliant 'Custom of the Sea', mixing Celtic, country, Appalachian and bluegrass styles (amongst others), which produced classic sea shanty tales of pillaging, plundering and excess drinking. The end product being a highly catchy, full energy and extremely danceable record. that sounded inspired and fresh from start to finish and made a nice change from bands trying to sound like The Pogues.

Shite n' Onions Webzine
www.shitenonions.com
Billed as delivering a treasure chest of "Punk Rock, Sea Shanties & Appalachian Death Polka", Seattle's Wages of Sin do not so much fuse disparate musical elements as revel in the direct lineage of their influences. Sharp tense '50's rock & roll hooks mesh with mountain fiddle stomps in a ballsy reminder that the two styles are just a short shuffle down the holler from each other; mountain music is the raw-handed grandfather of rock & roll after all. And, of course, bluegrass and Appalachian music are the frontier offspring of the Celtic and British ballad and dance music traditions. The Wages plunder these histories with total affinity and come up with a blend as clean and warm as a mouthful of Jamaican rum.

Rue Morgue #44 April 2005:
Are you a drunk punk pirate looking for a few good drinking songs? Look no further than Seattle's The Wages Of Sin, former Spectres singer Jesse James' new act that distinguishes itself by making traditional music for non-traditionalists. On their salute to two of our favorite things here in the Drome-drink and the Devil-The wages burn through a selection of "punk rock sea shanties and appalachian death polka," relying on fiddles, violins, upright bass, mandolin and a bit of punk 'tude.-TD

The Vancouver Courier Dec. 03:
...Seattle's Wages of Sin, whose Appalachian death polka has been known to cure blindness.

Tablet Magazine #92:
[T]he Wages of Sin is f--king pirate music-from the themes and lyrics, to the sorta-Celtic acoustic sound. It's certainly worthy of rising your pint in the air and yelling "Aaaaaaaarrrrrrrrrr!" Bravo.

RocknRoll Purgatory #14:
Fronted by Jesse of the Spectres, this band combines bluegrass with Irish folk a la the Pogues, and they do it startlingly well. I think I actually like them even better than the Spectres, who are damned fine band in their own right. Acoustic guitars and fiddles keep it rustic and immediate, and they show aptitude at both boisterous barroom rousers as well as darker, more haunting songs filled with mortal trepidation... I can't wait to hear more of these guys.-BL