Sunset on a Daydream

Collection Contents

#		Title	Length
1		Sidewalk Soundtrack	2:58	Play
2		The Sun Also Sets	3:04	Play
3		Day One	3:17	Play
4		Two Keys	3:31	Play
5		All At Once	4:27	Play
6		Better Off	4:44	Play
7		Effigy	5:30	Play
8		A Year and an Inch	2:27	Play
9		Daydreams Aren't Happening	4:10	Play
10		Gone	2:19	Play
11		Last Night in Boston (Made)	5:19	Play
12		I Don't Want To Say Goodbye	0:33	Play

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Description

Boston: 2004: After releasing three albums of "amphetamine pop" with mod/garage combo THE PILLS, guitarist & co-singer/songwriter David Thompson finds himself with a stockpile of songs that are not quite hyper enough for that group. He yearns to make a solo album as a "side project", but detesting these terms and preferring "ROCK BAND!", he starts THE SCHEME.

And a rock band it was, with brothers Jay & Paul Natale (Den Mothers, Astroslut) on bass & drums and Dave Aaronoff (Details, Pills, Bosstones) playing the more complicated keyboard parts and the more kick-ass guitar solos. With Eric Donahue (Ad Frank & the Fast Easy Women, Quick Fix) taking over bass duties on half of the songs, this lineup recorded the 12-song CD, "SUNSET ON A DAYDREAM."

The album was produced by the fantastic Ducky Carlisle (NRBQ, Flashcubes, Bleu, Damone, Jims Big Ego, et al) at his Room 9 From Outer Space studio. Thompson felt that he was branching out with his more experimental songs, but Ducky set him straight, saying "Hey! This is POWERPOP! I love this shit!" And the album is indeed anchored by pure Beatlesque pop, with little detours into 60's-style garage rock ("The Sun Also Sets"), pop-punk ("Gone") even nylon-string bossa-nova ("Year & an Inch") and your standard hypnotic, minor-key drum-loops 'n' clarinets number ("Effigy")

Beyond the power-pop B troika of Beatles, Badfinger & Big Star, Thompson found inspiration from the sophisticated pop of Elvis Costello, XTC & The Beach Boys, classic punk like The Clash and The Buzzcocks, the modern art-rock of Beck & Flaming Lips, and the energy of current British bands like Kaiser Chiefs & Arctic Monkeys plus the best bands that The Pills had shared stages with: Supergrass, The Libetines, Sloan & The Figgs.

Seattle: 2006: Thompson moves to Seattle, Washington & puts out the call to form The Scheme: West Coast. When bassist/singer Gary Miller shows up with a Figgs sticker on his bass guitar case, Thompson immediately says, Youre in! Luckily, Miller not only shares Thompsons enthusiasm for that amazing NY/Boston band but turns out to be a great player and singer with a sense of humor, web design skills and a garage to rehearse in. If he owned a van, he would be the worlds perfect bandmate. After an exhaustive (& exhausting) search for drummers, the pair lucked upon Chris Campbell, recently of the garage-rockin Zero Points. After a few rehearsals, they learn that he can not only bash the hell out of the drums but can sing while doing so - and soaring 3-part harmonies from the SUNSET CD are being added to the energetic live sound.

The search for a lead guitarist continues (know anybody?) but somehow the band has received airplay on KEXP, favorable mention from ThreeImaginaryGirls.com and played a show (as a trio) at the Crocodile 3 milestones of the Seattle rock scene. With the addition a fourth member, world domination seems inevitable.