Audio Collection
Embed
Ambience
Sienna
East meets West in a Moodyblue Electro Blend.
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Motions | 6:10 | Play |
| 2 |
|
The Others | 3:47 | Play |
| 3 |
|
Frame The Moments | 5:51 | Play |
| 4 |
|
24-Hours A Day | 6:54 | Play |
| 5 |
|
My Secret November | 4:18 | Play |
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Contributors
Royalties
See the payment distribution when this media is bought.
| Description | Amount |
|---|---|
| Bitmunk Marketplace Service | USD $0.49 |
| CD Baby Artist Royalty | USD $2.99 |
| CD Baby 9% Digital Distribution Cost | USD $0.27 |
| Bitmunk Download Service | USD $0.35 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $4.09 |
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Description
SIENN is a new electronica artist from Japan who is currently based in Norway. Found by ABN - a genuine multi-talent discovered by guitar legend RONNI LE TEKRO (TNT, RYPDAL & TEKRO etc.)
Her musical style is often described as an "oriental version of GOLDFRAPP collaborates with UNDERWORLD & THE FUTURE SOUND OF LONDON".
Track no.3 "Frame the moments" is featured & preloaded on Philips MP3 Players & diverse audio devices bling sold to millions worldwide!
Guest artists: Abn (g.& vo.), Christian Bogstad (g.), Henning Nilssen (vo.)
Reviews:
"What do you get when you cross a 33-year-old Japanese woman with a cutting-edge Norwegian producer? Well, it appears you get SIENN who has just released her debut EP on that producers fledgling Abon Records label. Thats a bit more of an ambient concept than the music, which is very busy, hustling techno-tronica. The best track is prbably "Frame the Moments" which gets its groove on with an insistent thumping beat and mostly male voices, one of which keeps repeating something about "never meeting expectations". Theres an interesting artist operating somewhere in this electronic maze: it would be nice to hear her emerge more coherently on the full-length, whenever that arrives (by Playback Stl/Kevin Renick)"
"When Japanese-born SIENN EP-debuts with a CD made & released in Kolbu, she confirms the well-exhausted clich that music does not recognize its limits (by Oppland Arbeiderblad/Oyvind Lien"