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Te Invoca mi Sueo Herido
Decima y Punto Cubano
You can enjoy the playing and singing of those who met at the 1999 Encuentro de Decimistas y Versadores (Ten-line Stave Writers) to improvise in this age-old Spanish verse tradition which thrives in many parts of the Americas and Spain. It so happens i
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Tonada Campesina | 2:48 | Play |
| 2 |
|
Seguidillas | 2:23 | Play |
| 3 |
|
Tonada Villarea | 2:31 | Play |
| 4 |
|
Perla Marina | 3:59 | Play |
| 5 |
|
Controversia 1 | 8:38 | Play |
| 6 |
|
Siboney | 4:42 | Play |
| 7 |
|
Tonada Pinarea | 2:29 | Play |
| 8 |
|
Tonadas Romnticas | 4:02 | Play |
| 9 |
|
Zapateado | 3:06 | Play |
| 10 |
|
Controversia 2 | 9:23 | Play |
| 11 |
|
Amorosa Guajira | 3:18 | Play |
| 12 |
|
Tonada Campesina 2 | 1:56 | Play |
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| Bitmunk Marketplace Service | USD $0.98 |
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Description
"recordings like this do not come around often....the earthy tones of the voices and the humor and sound of strummed and plucked requinto guitar are magical"
FROOTS MAGAZINE
Cuban culture has a privileged position in all social spheres when it comes to expression. The tireless traveler Decima (Ten-line stave), takes root and develops itself throught the guajira cubana (cuban folk song), winding the countryside, borrowing the praires, the dusstorms and the gleams, in order to cosntruct a screen of verses in the density of both the suffering and the pleasure. Its exponents, men and women, constitute a decisive link in the musical evolutionary process that takes place in hispanic countries, enrichening the extensive heritage of international creatin and interpretation.
Juana Tomasa Quiala-Dcima Improvisation
Emiliano Sardina-Dcima Improvisation
Luis Alain Quintana-Dcima Improvisation
Jorge Luis Meza-Guitar
Jesa Cruz Miranda_Mandolin