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Colorblind
Andrew Duplantis & The Unfaithfuls
Austin, Texas rock & roll songwriting
Collection Contents
| # | Title | Length | ||
|---|---|---|---|---|
| 1 |
|
Finish Line | 2:34 | Play |
| 2 |
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Special Delivery | 2:08 | Play |
| 3 |
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Colorblind | 3:23 | Play |
| 4 |
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Next Question | 3:27 | Play |
| 5 |
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Nuts | 4:27 | Play |
| 6 |
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Backpedalling | 3:12 | Play |
| 7 |
|
The Blind Bleeding the Bind | 3:22 | Play |
| 8 |
|
Justice Wind | 2:42 | Play |
| 9 |
|
Back to the Air | 3:10 | Play |
| 10 |
|
Underwater | 3:51 | Play |
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|---|---|
| Bitmunk Marketplace Service | USD $0.98 |
| CD Baby Artist Royalty | USD $5.97 |
| CD Baby 9% Digital Distribution Cost | USD $0.54 |
| Bitmunk Download Service | USD $0.46 |
| Bitmunk MicroPayment Service | USD $0.01 |
| Total | USD $7.93 |
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Description
ANDREW DUPLANTIS & THE UNFAITHFULS
"COLORBLIND"
(OJI RECORDS)
Andrew Duplantis should know from intelligent roots rock; he plays bass in Son Volt. Colorblind, his second LP with the Unfaithfuls so named, one imagines, because all six members are in too many other bands to list works in similar tones, somber but never dour, adding deep shades of the many other groups crowding his rsum: Jon Dee Graham, Alejandro Escovedo, Tia Carrera. Some of its 10 songs bend the strings harder than others, but all express a common mood: the wayward soul by turns surprised and dismayed at his shortcomings but always honest about them. Duplantis doesn't quite approach Graham or Escovedo's plainspoken and often harsh truths, evincing a more ambivalent state of mind that catalogs popular terms for "crazy" with the same foreboding as inching his way through a breakup or likening loneliness to being underwater. As such, his found-love songs aren't much cheerier than their lost-love counterparts, but when paired with the Unfaithfuls' hand-in-glove arrangements country-blues spare on "Nuts," Crazy Horse crunchy on "Underwater" they provide the kind of comfort songwriters know will suffice when no warm embrace is at hand. ***1/2(CD release: Friday, Sept. 15, Momos)
review by Christopher Gray, Austin Chronicle