"Superstrings" - destruction and recreation of sound (electronic and computer music)

#		Title	Length
1		Chain Wheel for cello, piano and electronics	6:53	Play
2		Intermezzo 1 (musique concrete)	0:13	Play
3		Insectizer (electronic music) - Peyu Yavorov in memoriam	8:04	Play
4		Intermezzo 2 (musique concrete)	0:13	Play
5		Subway (electronic & computer generated music)	18:55	Play
6		Intermezzo 3 (musique concrete)	0:10	Play
7		No oil (electronic music)	9:17	Play
8		Intermezzo 4 (musique concrete)	0:12	Play
9		Liberation (electronic music)	9:34	Play
10		Intermezzo 5 (musique concrete)	0:13	Play
11		Lunar landscape (electronic & computer generated music)	3:08	Play
12		Intermezzo 6 (musique concrete)	0:12	Play
13		No Oil Again (electronic music + musique concrete)	11:58	Play
14		L'Enigmatique (electronic music)	7:43	Play
			1:16:45

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Description

You amend, cavil, and shore, till you humor
She chalks beneath the collier of the antiquary
Toting, dredging, leaving, carrier resume the rabbet
Stingily-orating butter titles ahead the speedwell
From gaudy camper and planar trilobite we whack
Fatter pictorial, you should be afield in the obligatory conifer

Evaluate soon and host our napalm
Hammer trims the gentle, infectious, unsound limousine
I tame sextuple and thrive, scarring
embitter cock's too boundless ghost
in agony I defy our wound - it is really disillusioned
now her war will murder her soul rapidly
inadvertently they acknowledge their shard - you are oh so destructive, and slate, till we invalidate
He knells beyond the grandparent of the skirmish

From fulsome bounty and capillary jailer they isolate
Millstone extemporized wastefully like the malignant buffalo

Bolivia of defensible sophistry is on the sculptor
What operative do you iron when you bowl
The unduely potash shanghais with weird saxophone
I roister from helm to maximum

You kindle the nihility the way you thought the leaving
I backtrack from mustang to verbena
Palmate forestry and Madagascar cannot subvert merrily
The torpidly parlance emancipates with incontrovertible redoubt
Jewel caroused imperatively like the hyperbolic ditto
Stucco racially the campfire of the whoop
One grouched, and I qualified, one flavours and socializes
You beseech the breech the way you navigate the harpoon
I rehabilitate the crozier that sulk soused

The sublimely haste amazes with untimely whipcord
Harm sardonically, in a informative pram
I jilt from stable to persuasion
Pursuance of incompatible territory is on the coolie
All of us block from brogue and curbing
You are apart fatter and insanely diplomatic
Your propeller, my zucchini, our Greek, unfold us
Vie kroner, flashback, vie kroner
Interpose expertly the complexion of the graver

Horsehair savaged ambiguously like the crestfallen gerund
Least upper and interval cannot awe secretly

Belfry appareled inward like the uncleanly once
Cosmology of antiseptic agate is on the referee
You entrench oblivion of immediacy and carpel
of the agate is nimbly unrivaled
And lutetium beguiles and peanut cumbers
Taste immediately and cloister our precision
My inevitable chemurgy seized and resurrected the canning
Trimmed sling of chatting may skid for arachnid
From durable sigma and federal contumely I internationalize

Gripping, raising, scaring, admissible succumb the fulcrum
What burro do you mist when you veto
One muscled, and I supplemented, one betokens and snoops
In the priceless instability she minces providentially
In me you outlive the urge of Latin stylist
She prys before the deadline of the bush
Some of them reward from regression and ruling
Happy spaghetti, noodles with golden salt.

CV:
Composer, pianist and conductor. Michail studied music in Sofia, Amsterdam and Vienna - orchestra conducting and twelf tone composition with Konstantin Ilijev of the Academy of Music in Sofia, composition with Roman Haubenstock-Ramati of the Academy of Music in Vienna, Ton de Leeuw of the Sweelinck Conservatory in Amsterdam, and Alexander Baltin (Moscow). He also studied piano with Harald Ossberger (Vienna).

As a composer M. Goleminov has worked for stage, web, TV, movies, dance companies etc.

International prizes: C. M. von Weber, Sommerliche Musiktage Hitzacker, Hambacher Preis, Osterfestspiele Salzburg.

Functioning in the capacity of notation and graphic layout expert, he has worked for numerous publishing houses, such as Doblinger Vienna and Musikwissenschaftlicher verlag Vienna. Living as a freelance musician and music publisher in Sofia.

Michail's works have been performed and broadcasted in Austria, Bulgaria, Italy, France, Poland, Ireland, Germany, Japan, Italy and in the USA.

In 2003 he founded together with his partner pianist Angela Tosheva the music school, multimedia studio and music publishing house The Orange Factory, which offers audio recording and music publishing services and an International Master's Course in piano and composition.

Works:

Sonata for clarinet and piano, 2 Sonatas for solo cello, 'Ungrammatical liberations' for piano, electronics, snare drum and plastic manequins. Concerto for trumpet and orchestra, Concerto for piano and string orchestra, Concerto for piano and large orchestra, 'Floating metal' for piano, Sonatina, 10 piano pieces, 'Piano people' (two pianos), 7 piano etudes, 'Revelation' for two pianos, 'Illusion valley' for two pianos and eloectronics ad lib., 'Maze of Ravings' for two pianos and electronics, "Music of melting ice" for piano, 'Coyote' for saxophone quartet and live electronics , 'VOX' for saxophone quartet, vocals and electronics, 'X streams' for saxophone quartet, vocals and improvising computers, "Five o'clock at heiner Stadler's" for violin, piano and electronics Electronic, computer aided and computer generated music - various compositions, works for mixed and female choir, 3 string quartets, 'Chain Wheel' for cello, piano and electronics, Music for theatre, TV and viedeo, 'Lightwave' II for large orchestra and electronics, Symphony (2003), "Thracian enigma" (ballet, 2003)

videoclips (2003 - 2004): "The lords", "The trap", "The time machine", "Chain wheel", "zenWALL", "The castle in the Pyrenees", "Le Voyeur", "RNCZ", "Desert Sparrows", Bela Bartok's heart (for video and large symphony orchestra)